Featuring approximately 40 quilts and related works of art, the exhibition will explore the deeply personal and emotional power associated with the experience of making and living with quilts. The exhibition’s title conveys the idea that quilts have the capacity for “knowing” or containing information about the human experience. Reflecting on this sentiment, the exhibition presents quilts as collections of intimate stories. 

Spanning from the 19th through 21st centuries, the works on view will reveal a range of poignant and sometimes unexpected biographies. From a pair of enslaved sisters in antebellum Kentucky to a convalescent British soldier during the Crimean War, the exhibition explores stories associated with both the makers and recipients of the works. On a quilt top from the 1890s, we find a surface bursting with narratives; in an example by Hystercine Rankin, a grid of small vignettes depicts scenes of family life defined by faith and toil.  

The exhibition also explores how artists have continually drawn inspiration from and pushed the boundaries of quilt-making to incorporate surprising materials and ideas, inviting audiences to consider these objects as archives of personal human experiences. Dindga McCannon’s Mary Lou Williams, a quilt-like work, is created with paint, photographs, and fibers, as a tribute to the jazz musician and cultural environment of Harlem. Jessie Dunahoo uses plastic bags and yarn to evoke quilt-like coverings that swath the interior surfaces of his home.